Today's Shows:

There are no shows today. Please check the calendar to see upcoming shows.

MySpace
Frequency Fundamentals

Gregg Todt
Federation of Horsepower


Frequency of the Month

Stonehaven


Amplified

"If you could spend one hour talking with any famous musician, dead or alive, who would it be and why?"

CD Reviews

The James Dean Trio - Getting Scary

February 2004

Artist: The James Dean Trio
Album: Getting Scary

Mathematical metal is a rarity in Kansas City, and none pull it off better than The James Dean Trio with their debut album, Getting Scary. The release is only a tiny taste of what this band brings to the table in their live performance, but the sheer chaos of this five-piece on the 10-track disc guarantees to blow listeners minds.

The album begins with a two-minute classic sample that adds depth and meaning to what the band stands for – not the sample selection one would expect from a metal band. The second track, “2XL on an African Safari” begins with a bang. Tangled in the musical madness, this song captures the perfection of the band’s performance. To normal ears, it sounds like noise and random chords, but with acute attention, everything is played particularly for the greater good. Moments later, the band smoothly slides into a jazz break down, demonstrating a possible background in blues and jazz for some members. The track, “Smee, Get in the Boo Box!” is re-released from the band’s original four-song demo.

The band has obviously improved and developed since their lineup change in mid-2003. The vocals sound broader and suit the sound better, the guitar tones are clearer, and the riff changes entertain the ears more. On “I’m Blackanese,” which effectively flows from one end of the musical spectrum to the other within moments, exhibits the band’s affinity for time changes and ability to keep the music fascinating.

The James Dean Trio recorded and produced Getting Scary with Lance Attack, of Earthen and The Escape notability. Everything from the guitars to bass is crisp and clear, which is vital to represent accurately a band with such rationalized chaos.

On all counts – musicianship, production, composition – Getting Scary is a winner for fans of technical and intricate disaster music.

All writing on Heavy Frequency copyright Heavy Frequency Magazine, 2002-2007. Reviews do not necessarily represent the views of all Heavy Frequency staff members, or the viewpoint of the magazine as a whole. To respond to the author about this review, e-mail tyler.wagnon@heavyfrequency.com.
Chapman Recording Studios - NEVE Mastering
Advertise on Heavy Frequency